Page 242 - The Grotesque Children's Book
P. 242

It’s a vegetable. Don’t pay any more for it than you would an ordinary beans or peas.
         Please, please, we’re begging you, don’t believe the shamans in your town; they’re just
         after your money. See knucklebones.

banners, curved cloth. Trad., Heraldry, festivity; superiority; financial comfort. Megl.,
         Banners in art are often used to hide specific messages or inside jokes; creating faux-
         escutcheons with insidious family mottos, or sometimes maps to addresses of secret
         societies. At the new Uffizi, banners will one day be recognized as markers, pointing out
         significant symbols to Those in the Know; quite humiliating to those who are not in
         possession of the code, which is precisely the point.

bat wings. Trad., Uncleanliness; hidden animal urges. Megl., Signifying a creature who can
         see in the dark; that is, to seek out objects and meanings which other mammals can’t see.
         Rather heavy-handed when we point it out, isn’t it? Unfortunately for the poor doomed
         other mammals who think they can see everything there is to see, they can never hear the
         utterings of the bat on the pretext they're produced on too high a level to be understood.
         They're really very clear. Your loss, mammals.

birds. Trad., Flight; ascension; connection between earth and sky; angels; putti. Megl., Birds
         and angels in our ceilings represent fresco painters. When you see a putto, it’s usually a
         self-portrait. It has less to do with our natural flights of fancy, or our wings of desire,
         than our feeling martyred because of the back-breaking work we do, and a blatant bid to
         be admitted through the Pearly Gates where we can rest at last. Either that, or pay us
         more. Hint: look for us in landscapes, often near omega-shapes...we're looking to fly
         free.

black (nigredo). Trad., Dissolution. Megl., See colors of alchemy

books. Trad., Knowledge; scholarliness; history and storytelling. Megl., Very few of our
         painted books are open, because we believe much of the world’s writings are either
         deliberately kept hidden from the illiterate citizens, or ignored by the literate. Books
         have been used to destroy civilizations and peoples with their terrifying propaganda; but
         ignorance is even more lethal. The scattering of our ceilings with so many books is our
         not-so-subtle way to induce you to read, and read, and read, and furthermore, read
         dissenting opinions! Do not be afraid of words which attack your belief system, for if
         they succeed in persuading you to differing opinions, then they have enlightened you, and
         if they are unpersuasive, then they have strengthened your personal philosophies. But do
         not, we beg you, merely read that of which you are already convinced; your myopia will
         be the death of us all. On a sillier note, Santi and I used to pretend that if you were able to
         open up any of our closed painted books, you would see a complete illustration of the

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